I had a conversation recently about the movies of my youth, and found myself wondering aloud how well they held up. My hypothesis was that the two teen comedies that likely still held up were FERRIS BEULLER'S DAY OFF and THE BREAKFAST CLUB.
So the challenge went forth - find a film literate peson who'd never seen these films, have them finally watch them, and see what they thought. (Sidebar: Part of me wants to do this with older classics too down the line).
The first volunteer was Vanessa from The Movie Ness, who dragged herself to school on a Saturday to serve detention with the Breakfast Club. Take a look at our conversation below.
Hatter: So, what did you think?
Ness: It's a fun movie and I guess the questions about life that its posing are still valid now but to be able to count it among your favourite movies, it will have to be seen by a younger person. If you showed this film to a 10-13 year old now, I think they'd still love it. I would've!
Hatter: So it holds up as a good film. That's good to know. It's more of a pop culture classic than a "classic film", so you're right - some of its appeal comes with thinking back to younger days. What still works about the movie?
Ness: The hairstyles! Jokes aside, I liked the dynamic between the characters. How these "enemies" become friends by being forced to spend time with each other and getting to know each other. I always like the idea of setting a whole movie in one room. It really highlights the actual story because there are no distractions.
For this particular film, it is absolutely essential. These kids are forced to spend time together against their own will. They would have never even spoken to one another if it was otherwise.
Hatter: That whole device of keeping things in one room brings the focus back to the script, which is what drew in so many people my age when we were younger. It felt like these kids were talking the way we talked. Does it still seem that way?
Ness: I could have probably identified with the characters when I was a child or teenager. Actually that's not exactly true. I don't think I ever had those kinds of conversations with anyone but I always thought that other kids must have had them. Maybe I was just never forced to spend a day with kids I originally didn't like
Hatter: Very few of us were. I'm sure I'm overlooking some of its shortcomings through my rose-coloured glasses. What doesn't work in the movie?
Ness: I did feel like the characters were too much of a cliché. The opening credits even state that they are all clichés. And I know that they say it, to prove the teacher wrong but they keep being clichés. I wasn't surprised to find out that they all had problems at home and that all of them were different to what they appear to be. I think that if they remade the movie today, it would be a bit more subtle. The end is a bit quick which was surprising. All the sudden kissing at the end, in front of the parents is a bit strange and out of context.
Hatter: It's over twenty years old, which can sometimes be death for this sort of movie. Does it feel dated?
Ness: Visually - yes, very! It is clearly made in the 80s and the style of cinematography, costumes and all that have changed considerably.
As for the plot, the story is told in a somewhat slower way. In modern films of a similar genre it seems like they dont take as much time. There is so much crying and laughing and dancing and just listening to music in this film which would have definitely be cut now.
I don't think the story itself is dated. Kids still have the same problems with their parents and trying to find boy/girlfriends and all that. I think kids grow up a lot faster now so maybe these kids in the film would have to be a bit younger in a 2010 version.
Hatter: Perhaps, but Hollywood still seems to cast actors that are too old to be high school students. Some things never change. Anything else about it not work for you?
Ness: The ending. It's foreseeable that some of the characters "end up together" but it was very sudden. All that drama and crying and then they walk out of the door holding hands and kissing. Right in front of the parents they dislike so much. I was thinking that those "horrible" parents would have said something. It is clear why the film makers did it. After the climax of revelations and all that crying there had to be the sense of freedom when they "burst" out the door into freedom. But it was way over the top
Hatter: Fair enough. But have you never wanted to be freeze-framed with your fist in the air as Simple Minds wail on the soundtrack?
Ness: That sentence is so 80's.
Hatter: Thanks, I try. Did hype enter into your reaction, because amongst our age group thsi film is more or less "Required Viewing"
Ness: I was pretty unaware of this film. I had heard the title before but it completely passed me by. So, no.
Hatter: Interesting. I had guessed that either you knew most of the story by now (and thus would have nothing to look forward to), or that you'd heard a lot of people our age rave about how much they loved it - making it a bit overhyped.
Ness: I grew up mostly in Europe and the film wasn't that popular there. We had a few amazing kids movies that you will probably never watch. I actually missed a lot of the "classic North American teenager movies". Watched Princess Bride for the first time a couple of months ago, and I absolutely loved The Neverending Story.
Hatter: So on a scale of 1 to 5?
Ness: Seeing it now as an adult...3.5 out of 5
Tuesday, October 19, 2010
Falling For the First Time (Talkin' THE BREAKFAST CLUB with The Movie Ness)
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Ryan McNeil
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10/19/2010 08:00:00 AM
Labels: 80's, according to ness, dvd, falling
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13 comments:
Great interview, and idea, Mad! I've always felt TBC held up rather well, and I think that's because it focuses on the people, and not the time itself.
Fair enough. But have you never wanted to be freeze-framed with your fist in the air as Simple Minds wail on the soundtrack? Love that line.
The Breakfast Club is cliched, but it's one of those cliches that works because it seems to deliberately be going for the allegorical or what not. The ending does feel a little rush but yeah, I'd say it holds up. 3.5 seems about right.
I do think there is something distinctly "Midwestern" about John Hughes movies (beyond them being set in the Midwest). And these films, in being Midwestern, are also distinctly American. While there is some universality of experience across cultures. There are/were aspects of ALL of Hughes films that spoke somewhat specifically to the American Experience. And more specifically in this case to the American Adolescent Experience.
I too love the idea of revisiting (or visiting for the first time) classic films to see how well they hold up. I've done that with a few films-- Scarface (the original pre-Hayes Code version from 1931), The Public Enemy, A Magnificent Obsession (the Rock Hudson/Jane Wyman version... I'm yet to see the original Robert Taylor/Irene Dunne version), a handful of Buster Keaton films, a few Lon Chaney films, and even one of John Wayne's first films, The Telegraph Trail.
@ Univarn... See, I thought so too. But as Vanessa points out, there are chinks in the armour.
@ Andrew... I said that line because I do feel like that from time to time. I believe it was actually one of my first "Feel Like This" posts.
@ Perplexio... Hard to say. I'm not sure if the disenfranchisement didn't land for Vanessa because she grew up in Germany or because she was watching it as a grown up.
I know as a Canadian from a big city I was able to identify with a lot of it too. Guess we'll have to wait for Ness to answer that part.
That series seems like a great batch to revisit - give us some links man!
I have only actually, reviewed The Cameraman from that list. I was unemployed for a brief spell in 2008 (about a month). When I'd get burnout from staring at a computer screen and job-hunting for hours on end, I'd sign out classic films from the library and watch them. I actually watched The Cameraman long before that though.
I want to go back and re-visit The Public Enemy, as that film stuck with me more than many of the others I watched during that time period. Perhaps next time I will write a review of it. I generally stick to music reviews but I do ocassionally churn out film or book reviews as well.
Great idea Hatter. I actually have been performing this experiment with my teenage daughter for a few years now. She saw TBC a couple of years back when she was 15. She LOVES it and it's one of her favorite movies. She also loves "Say Anything" and "Animal House." I saw this in the theater when I was 16 and I remember being impressed by it all taking place in one afternoon, just in the school. At the time I also thought it was cool that it was mostly talking. What I didn't like was that I brought a baggie of Captain Crunch to school everyday prior to this film, hard to live that down!
@ Perplexio... I recently took another look at PUBLIC ENEMY for a gangster series on Movie Mobsters. I'd wager that quieter, slower-paced films of that era aren't for everyone these days, I still love that film a lot.
Easily the most vicious use of grapefruit in cinema history.
@ Colleen... That's an awesome idea - you should post the results of The Daughter Series for the rest of us to read! I saw it when I was 15 as well, but didn't actually connect with any one of the five. If anything I felt like a hybrid of Sheedy and Anthony-Hall.
I am 22 and saw TBC for the first time when I was about 16 and loved it. It instantly became one of my favourites although that may be because I was a massive Dawson's Creek fan so I only saw it because of the Detention episode.
I had it on in the lounge a couple of years ago when I was re-watching it for an assignment and my brother (who is three years younger than me) saw it for the first time. Even now he refers to it as 'that film where they all cry at the end'. He was not impressed!
@ Emma... Interesting. Hey, you could jump into this series if you wanted. Any iconic 80's or 90's film that you've never seen?
Sure :) I have quite a list though: The Goonies, Back to the Future, Weird Science, Blade Runner, Brazil, Do the Right Thing, sex lies and videotape, Braveheart, Schindler's List... The Goonies seems to be the shocker for most people though
@ Emma... Goonies doesn't shock me, but Back to The Future is right in my wheelhouse. Think you can watch it within the next week?
Can do
@ Emma... Sweet! Drop me a line soon: madhatter(dot)21(at)hotmail(dot)com and we'll talk.
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