
I'm a glass-half-full sort of guy. I like to believe the humanity has hope, and that over the course of our history we have all come a very long way towards a better global understanding. Then I watched AGORA...and realized that we haven't come very far at all.
AGORA is the story of the city of Alexandria in 4th century. As our story begins, the city is populated by pagans, Jews, and growing ranks of the budding faith of Christianity. In the city's library, a philosopher named Hypatia (Rachel Weisz) teaches science in the library. Her students include Orestes (Oscar Isaac), her brother who actually has romantic interests for his sister. Likewise, she teaches Synesius (Rupert Evans), a pagan student who has recently embraced Christianity.
Standing off to the side is Davus (Max Minghella), Hypatia's slave who is also crushing on her - guess how much hope that relationship has. When the growing ranks of Christians in the city insult the pagans, civil unrest breaks out leading to riots and slaughter. When the Roman Emperor sends a ruling in favour of The Christians, it forces all pagans to flee, hands the library its destruction, and scatters Davus, Hypatia, Orestes, and Synesius in all directions.
Years later, they all find themselves back in Alexandria, but in different capacities. Hypatia is still studying her sciences - flying in the face of religious doctrine - though she's now doing it far less publicly. Orestes is now the Roaman prefect, and must do what he can to quell the growing tensions between the pagans, Jews, and the ever-rising ranks of Christians. Personal convictions get challenged time after time, and before long each one of these four characters must make tough choices surrounding their beliefs, their allegiances, and each other.

What's amazing about the story of Alexandria is the way it has been echoed throughout our history. Time after time, people of different backgrounds will try to coexist geographically, and sadly time after time, they come up empty and angry. In many ways the story of AGORA could be told in Gaza or Belfast.
Rachel Weisz is the only recognizable face in this film, and she is very well suited to the character. She has a certain poise, and tone to her voice, that gives her an air of understanding. She embodies a very rare type of person - the sort who might disagree with your point of view, but has too much respect for you to call you a heretic and force her beliefs on you.
AGORA poses some tough questions about faith, philosophy, and politics. Orestes embodies difficulties that still face our elected leaders today, since he struggles with how he can possibly be a just ruler of Alexandria, and still appear to all involved as a devout Christian. Where he struggles the most is where many people today still do: what is one to do when the literal text of an ancient gospel contradicts humanity? In Orestes case, he's fighting an uphill battle to explain that a 400 year old Christian doctrine is outdated. What chance does anyone have today with that same doctrine being 2000 years old?
While the film gets a little heavy-handed in it's obvious messages about atrocities committed in God's name, it's worth watching for the way the core characters of Hypatia, Orestes, Synesius, and Davus struggle with the nature of blind faith. Hypatis taught them all, and though their beliefs changed with age, what sticks with them is her stance of never ceasing to ask questions. Our questions might fly in the face of seemingly unchallengeable fact, but they must still be asked.
Our laws, our sciences, and indeed our religions might tell us in no uncertain terms what is right and wrong. However, the variable in all of it, is that law, science, and religion are all human studies...and thus, completely fallible. Throughout human history - indeed since the days of Alexandria - leaders in religion, sciences, and the law have given us reason after reason to exclude, to mislead, and to fear. What AGORA seems to be prompting us to remember, is that time after time these lessons have been wrong, and that we need to make up out own minds before blindly kneeling, accepting, and following.
What did you think? Feel free to leave comments with any thoughts or reactions on AGORA.
Sunday, July 4, 2010
Review: AGORA * * *
Posted by
Ryan McNeil
at
7/04/2010 08:00:00 AM
Labels: 3 stars, alejandro amenabar, drama, dvd, epic, oscar isaac, rachel weisz, reviews
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14 comments:
This film looked like it'd be mentally captivating, even if it isn't exactly mind blowing. I'll most definitely check it out for my curiosity, but not sure if it's anywhere near the NC area. Will have to take a gander, and see.
I love the way you did the opening. Welcome to my way of looking at the world :P.
Great review! I'm really interested in this- I dig Amenabar and Rachel Weisz and historical ladies. I'm happy to hear it's pretty good! I don't know when it'll be released here but hopefully soon.
It's always hard to look at the world and realize that despite where we are at right now is good, but not where we should be.
Lovely review. I kind of love this lady, Hypatia, since we learned about her for, like, five minutes in History, so I'm gonna see this if it's good or not.
Great review. IT is a film that induces thinking regardless of how you feel about it.
@ Univarn... Is it my imagination or are the words "anywhere near the NC area" showing up in your comments more and more.
I think you gotta open an art house theatre in your state, if only to program these sort of films for like-minded tarheels.
@ Alex... It's funny because at first it seemed like such a switch for Amenabar. But when I realized that the most important part of this film is the way the characters relate to one another, parallels to THE SEA INSIDE and THE OTHERS became clearer.
@ Fitz... You'd think with 1600 years we'd have figured this sort of shit out by now.
@ Simon... If you're a fan of Hypatia, you're in for a good night at the movies.
@ Andrew... Amen.
Well Mad there's a couple of art house theaters in my local area, but I just found out about them the other day, and haven't had a chance to check them out (they only show 2 movies at a time and what they have now are weeks from DVD). If I had the money Mad I'd open a theater in a heartbeat :).
Sadly enough, if I get the job I interviewed with over a week ago I'll be moving to a new town, and once again have to hunt down a theater.
A very thoughtful review. I saw the film when it first came out in NYC and loved Weisz' performance as Hypatia. Unfortunately, Agora is getting very limited distribution in the US due to the religious controversy (Amenabar showing Christians as fanatical and murderous.) I felt it more an indictment of fanaticism in all its forms and a particular metaphor for today's conflicts.
However,Amenabar does distort some history in service to his art (the Great Library of Alexandria didn't end that way and Synesius wasn't a jerk), but that's what artists do. I don't go to the movies for history. For people who want to know more about the historical Hypatia, I highly recommend a very readable biography "Hypatia of Alexandria" by Maria Dzielska (Harvard University Press, 1995). I also have a series of posts on the historical events and characters in the film at my blog - not a movie review, just a "reel vs. real" discussion.
Hi Mad Hatter,
You asked how I found your blog - Google Alerts! Because Hypatia is a major character in my novel, I have a Google Alert on her name. Whenever it pops up, I check out the posts and see if it's something I'm interested in. Since Agora, most of those have been about the movie. There are quite a variety of opinions out there!
This is my favorite film of the year. Not only were there the great (and horrifying) philosophical morsels to chew on, but what epic filmmaking, on an absolutely dazzling set constructed in Malta. This movie was big in every sense of the word, and washed over my with its atmosphere and ideas.
@ Faith... Wow...just wow. I don't know how many times you watched this, or how copious notes you took...but your breakdown of fact versus fiction is something to behold. I might very well be linking to it on Friday when I do my weekly blog round-up.
I must tip my hat though - I am very happy to hear a historian mention that while there are inaccuracies a-plenty within the film, that they still found it enjoyable and entertaining. I've come across more than a few who would let such things sink a whole experience.
@ Vance... My mom was born in Malta, so when I discovered that I felt a small surge of pride. i was also intrigued to discover that there were no CG effects used where cast members were concerned - instead Amenabar went all old-school and cast an army of extras.
Favorite of the year huh? interesting choice indeed!
Weird ... I'm missing four comments, one of which is the apparently epic comment by Faith, which I'd like to read. It says 10 comments on the main page, but when I drill in I see only six. Wonder why?
@ vance... Weird indeed - but drop me an email - madhatter(dot)21(at)hotmail(dot)com - faith's comments were epic and I can send 'em to you.
I'm seeing it now, thanks. Really, I do know how to use the internet.
Just realized I wasn't officially following you -- another weird one. That's corrected now.
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